Another fine book on Missouri fiddling, “Fiddler’s Dream: Old-Time, Swing, and Bluegrass Fiddling in Twentieth-Century Missouri,” has been written by Dr. Howard Marshall and will be published by the University of Missouri Press (Columbia, MO) on June 30, 2017. This is the project that picks up where the 2012 book & CD, “Play Me Something Quick and Devilish,” left off. So, the time span for “Fiddler’s Dream” is from the 1920s to the early 1960s, and it includes chapters on early fiddlers contests, swing, early bluegrass, and more.
The book includes a CD produced by Voyager Records (Seattle, WA) including 30 tunes, ranging from a 1939 radio broadcast featuring Lonnie Robertson to a 2015 home recording of Cecil Goforth. Other fiddlers represented on the CD (many more are discussed in the book) are Howe Teague, Roy Wooliver, Bert Lewis, Billy Moore, Don Russell, Leroy Canaday, Larry Ellis, Luther Caldwell, Emmett Heath, Zed Tennis, Bobby Joe Caldwell, Dale Pauley, Jamie Haage, Lyman Enloe, Delbert Spray, Warren Helton, Roger Williams, John Williams, and Pete McMahan. There are also tunes from Missouri fiddlers who migrated to the West — Ishmael (Ozark Red) Loveall, Earl Willis, Ellis Cowan, Ron Hughey, and Bob Fast.
Congratulations are due to Howard on a job well done!
Submitted by Dr. E. D. McKinney, Professor Emeritus
Missouri State University, West Plains Campus
“His fingers look like spiders dancing on the strings!” So said Allison (Scheets) Williams, an aspiring young fiddler, when she first closely observed Cliff Bryan’s fiddling about 1999 or 2000.
Cliff Bryan of West Plains, Missouri passed away Sunday, March 12, 2017. He was a renowned fiddler and teacher of fiddle playing, having participated as a teacher of fiddling in the Traditional Arts Apprenticeship Program first introduced under the direction of Dr. Howard Marshall, who in 1987 was the Director of the Missouri Cultural Heritage Center at the University of Missouri at Columbia. In addition to his role as a master teacher, Cliff received the honor of being recognized for his fiddling by the National Endowment of the Arts Council of the University of Missouri. He was a life-long musician, having played guitar for dances with Seth Crabtree, a fiddler of the West Plains area in the 1940s and 50s, and during those years Cliff began honing his skills as a master fiddler in his own right.
He taught many younger aspiring fiddlers during the past 25 years. Many of them, such as Rachel (Reynolds) Luster, Jessica Collins, Joel Hinds, and others, became exceptional fiddlers under his tutelage. Cliff was a master of the “short bow” style of playing and had a large repertoire of fiddle tunes, both those common to the area, and compositions he picked up from radio and recordings. As long as his health permitted, he was a regular attendee and performer at various folk music and bluegrass festivals and jam sessions in the West Plains area. He particularly enjoyed playing with other fiddlers in a segment called “The Fiddlers’ Frolic,” held each year in June at the Old Time Music Festival in West Plains.
Recordings of Cliff Bryan’s music are relatively rare. One favorite tune of his was “Black-Eyed Susie,” included in the CD accompanying Dr. Howard Marshall’s first volume concerning Missouri fiddlers, Play Me Something Quick and Devilish: Old Time Fiddlers in Missouri (University of Missouri Press, Columbia, 2012). Also, Cliff recorded one CD of 32 fiddle tunes in 2014, entitled “Got A Little Home To Go To.” This CD was produced under the direction of Jim Nelson, and is available from Voyager Records. Also, Cliff can be heard on YouTube, under “Cliff Bryan Fiddle at the Fiddlers’ Frolic.” We can now only wish there had been other CDs of Cliff’s fiddling produced—this would have more completely filled a gap in the Ozark’s musical culture. As Illinois Folklorist Matt Meacham said, he was “a walking encyclopedia of traditional fiddle music around Howell County and the Ozarks.” We shall miss him.
Musician and music organizer Phil Williams of Seattle passed away last week in Seattle. With his wife and musical partner, Vivian, he ran Voyager Recordings which published CDs of many Missouri and Missouri-inspired musicians, including discs from John White, Howard Marshall, and Travis Inman. Brendan Kiley of the Seattle Times has written a wonderful remembrance of Phil, “Don’t fence me in: Phil Williams, who co-founded Folklife and fought to keep it free, dies at 80.” He will be missed.
Happy 80th Birthday to fiddler John White!
At 80, soft-spoken John isn’t resting on his laurels: he keeps learning tunes and challenging the rest of us to keep up with him. He plays dances, organizes the long-running Hallsville Dance on the second Saturday of each month, teaches several fiddle students a week, and still finds time for his favorite students, his grandchildren. He is also a dance fiddlin’ machine: he played nine dances and performances in the month of October!
If you see John around town or at the Hallsville dance, be sure and wish him a happy birthday.
Charlie Walden has provided a little John White flashback:
And here’s John today, teaching at the 2016 Bethel fiddle camp!
Seconds are typically players who do not play melody, but back up the melody instruments with chords and/or rhythm parts. For Missouri styles, basic backup usually entails a guitar, a piano, or an organ (pump or electric). In southern Missouri, a five-string banjo is also often considered an essential, while north of the Missouri River, it’s a less common addition. Other instruments are used as additions as well, including bass, mandolin, tenor banjo, and more unusual choices like steel guitar, piano accordion, or cello. Continue reading
American Public Media podcast “Historically Black” has just released an episode exploring the life and times of Missouri fiddler Bill Driver. Bill was a very popular fiddler in central Missouri, and there are still folks here who play his tunes.
And if you’d like to learn a little more about Black fiddlers in Missouri, you might enjoy reading this.
If you know more about someone who is or was an African-American fiddler in Missouri–even if it’s just their name–we’d love to hear from you!
Submitted by R. M. Kinder
Hal Martin Sappington, a consummate gentleman, educator, engineer, and beloved fiddler died in his home in Warrensburg on September 6th 2016. He was 85. Hal leaves a legacy of kindness, courtesy, respect, and talent that reaches far beyond his loving family and innumerable friends to music itself. He played for the love of it, yet built a reputation as a Little Dixie style fiddler who, through reviews and biographies, is now recorded in Missouri history. Continue reading
By Howard (Rusty) Marshall
I am sorry to convey the news of the death of Leroy Canaday. Leroy and Betty had moved to the Houston, Texas, area in 2005 to live with their daughter, Kathy Kadletz, and family. Leroy had been in failing health for several years; Betty died in 2006. Local services will be held in LaPorte, Texas. Continue reading
In this video from the 1995 Bethel, Missouri summer fiddle camp posted by Charlie Walden, Larry Schuyler, Gary (sorry, I don’t know Gary’s last name!), and Cathy Marriott (née Davis) demonstrate some terrific Douglas County-style jig dancing with fiddling by Bob Holt, accompanied by Kenny Applebee on guitar.
August 12, 2017 • 4-10 p.m.
September 9, 2017 • 4-10 p.m.
October 14, 2017 • 4-10 p.m.
November 11, 2017 • 4-10 p.m.
December 9, 2017 • 4-10 p.m.