Dale Pauley plays guitar for Bobby Joe Caldwell at an open house in honor of Pete McMahan held at the museum.
Emphasis on traditional fiddle music. All levels of experience are welcome, but we ask that everyone observe “jam session etiquette.” Hosted by the Boone County Historical Society. Contact the museum at 573-443-8936 or via email, or Dale Pauley at 573-815-9604.
We’re sorry to report that Ray Thebeau, caller extraordinaire, has passed away.
Ray Thebeau
He is survived by his wife Emma, also a dancer. Visitations will be held Sunday, January 12 and Monday, January 13 in Potosi.
More information is available here.
Map of Slave populations in Missouri, 1860
In 1860, seven central Missouri counties in the area known as “Little Dixie” had slave populations of 25% or more; the geography of land along the river made it appropriate for cultivation of hemp, cotton, tobacco, and other crops demanding a high proportion of low-cost hand labor. Unlike the southern portions of Missouri, whose Anglo populations were largely upland English and Scots-Irish subsistence farmers emigrating from other mountainous regions like the Appalachians, the Missouri riverfront areas were settled by midland and tidewater southerners whose ancestors had been landholders and farmers in England, and who brought with them slaves for agricultural and domestic use. A fascinating list of local plantations and background includes one which can be visited as part of a Missouri State Park.
Pull up a chair and go back in time to watch a rollicking session with first-class Missouri fiddler Cyril Stinnett.
A new DVD from Missouri Valley Music features almost four hours of video of legendary fiddler Cyril Stinnett.
In this collection assembled from the home video recordings of Dwight Lamb from 1979-80, Cyril rips through over a hundred fiddle tunes, including a collection of the twisty hornpipes and reels he’s known for along with his unique versions of warhorses like Mississippi Sawyer, Grey Eagle and Sally Johnson. Also included are less well-known gems like Leddy’s Hornpipe, Ariel Horpipe, Red Lion Hornpipe, Centerville, and a slew of B♭ hornpipes. This is traditional music at its finest: an informal setting, relaxed musicians, and great music. Continue reading
Our very own Dr. Howard Marshall has released a new book, “Play Me Something Quick and Devilish: Old-Time Fiddlers in Missouri,” published by the University of Missouri Press. Continue reading
We are very sorry to report that singer and multi-instrumentalist Jim Lansford of Galena, MO lost his battle with cancer October 30, 2012.
Jim had a deep commitment to and knowledge of traditional fiddling. He played fiddle tunes from Canada clear to Mississippi and back again, collecting them like a child collects shiny rocks. Continue reading
Below are the results from the annual fiddle contest held in Yankton, South Dakota. The event was started in 1973 by Wilbur Foss, who’s still going strong 40 years later. The weekend event features something like 16 contests; many of the contests are broken into two divisions: one for South Dakota residents and one for the visitors. Continue reading
John Summers was a fiddler from Wabash, Indiana. While he’s not a Missouri fiddler, he’s similar in repertoire and style to the Missouri Valley and north Missouri fiddlers, probably due to shared Scots-Irish influence. Like the Missourians, he plays a variety of tune forms, including reels, schottisches, jigs and waltzes.
He’s got a clean, fascinating solo fiddle style with a slightly Scottish cast, and plays some very unusual (and lovely) tunes as well as some cracking good versions of old favorites like Rye Straw (also known as “The Joke’s on the Puppy”).
Players: Players: John Summers, fiddle
Travis Inman, legendary fiddle champion and devoted teacher, released an exciting new album on Voyager Records in June 2012. TRAVIS INMAN: MISSOURI FIDDLER features a cross-section of fiddle tunes played in Inman’s masterful style.
Travis is eleven-time Missouri State Fiddle Champion, and his fiddling is deeply grounded in his Missouri roots. He represents a transition between the dance-dominated fiddle traditions of earlier years and more contest- and performance-oriented traditions of today. Travis has embraced elements of these influences to create a sound that’s firmly traditional, surprisingly contemporary, and uniquely his own. Continue reading
Happy Eighth of January! If old-time has a holiday, this is it.
Long before Jimmy Driftwood made up the words to describe the Battle of New Orleans to his high school history students, or Homer and Jethro camped it up with lyrics about Camp Kookamonga, Eighth of January was a fiddle standard all over the country. Continue reading
Saturday, December 10, 2022 • 4-9 p.m.